JS BACH: MAGNIFICAT/ANTONIO VIVALDI: GLORIA. ORCHESTRATION Orchestration is similar to J.S. If you would like to use the program notes, we would request that you acknowledge the author, the Naperville Chorus and let us know. Notes & Editorial Reviews Works on This Recording Customer Reviews. Maria Stader, soprano, Herta Töpper, contralto, Ernst Haefliger, tenor, Dietrich Fischer-Dieskau, bass, Munich Bach Coir [sic] and Orchestra, Karl Richter, conductor (in 1st work) ; Agnes Giebel, … and recurrent disputes with the city authorities, Bach composed some of Bach's Magnificat. For many music lovers, his music is the quintessential Venetian music, evoking vividly the pageantry and theatricality of that special place. The first two arias, for two different sopranos, are a wonderful example of Bach's portrayal of the young Mary. Program Notes : By Jason Sundram : Magnificat in D major, Wq. Ralph Vaughan Williams (1872–1958) wrote operas, ballets, chamber music, secular and religious vocal pieces, and orchestral compositions, including nine symphonies. Magnificat. In 1710 he entered … J.S. Program Notes b y Charlotte Nediger. include such towering masterpieces as the St John and St Magnificat in D major, BWV 243 ; Ein feste Burg ist unser Gott : cantata for Reformation Festival, BWV 80 Catalog Record Only Previously issued as Archiv Produktion: 198 197 (side 2 only) and 198 407 (side 1 only). His works are … Notice the emptiness at the very end illustrating the text. The term empfindsamkeit, which can be used to describe Carl’s music, roughly means to express feeling naturally. There is even a parallel to Bach’s Christmas interpolations in the use of a vernacular text on the Virgin Mary – Of a Rose , which (like so much medieval religious art) likens Mary and her child to a flower springing from the stem of Jesse. It was a prestigious but demanding post, requiring him not only to teach at the school but also to play the organ, train the choir and compose the music for the city’s two principal Lutheran churches, Thomaskirche and … After a rather lengthy orchestral introduction and a big flurry from the chorus, the movement seems like it is over almost before it starts. His choral compositions alone He was … The pathos is all but irre-sistible, and in retrospect one finds it tempting to imagine … BM: Embedded within that short organ piece, written when Bach was in the early stages of his career, is the ancient tune the composer later used in a part of his Magnificat. PROGRAM NOTES: NOVEMBER 21, 2014. Zelenka Missa Divi Xaverii. The Magnificat was composed for Christmas of 1723, Bach's first Christmas in Leipzig. The inspiration of today’s program is Johann Sebastian Bach’s festive setting of the Magnificat canticle. the same text by different composers from similar eras. The second is plaintive and middle-eastern sounding, the properly demure young maiden is shown here. Program notes must be in .PDF format. LENGTH Eleven movements. Mozart, who said of C. P. E. Bach, “He is the father, we are the children,” used the themes in the Magnificat’s last movement (Sicut erat) in the Kyrie of his own Requiem. In its splendor and jubilation the piece anticipates the great choruses of the later Mass in B minor. Program Notes (2004) By Carol Meeder, former Director of Arts Education . St John Passion - Johann Sebastian Bach (1685 - 1750): Passion according to St John BMV 245: From 1723 until his death Bach was employed as Kantor at the Thomasschule in Leipzig. Unique in the composer's output, was written originally in Eb Major and included four hymn tune arrangements interpolated within the Magnificat text. In 1723, after taking up his post as Thomaskantor in Leipzig, Bach set the text of the Magnificat in a twelve … Bach - Magnificat, BWV 243 The Bach Magnificat, although typically performed during the Christmas season, takes its text from 1 Samuel 2: 1-10, today’s first reading. It is the first major liturgical composition on a Latin text by Bach. choral society or church programme, or for educational Johann Sebastian Bach's Magnificat, BWV 243, is a musical setting of the biblical canticle Magnificat.It is scored for five vocal parts (two sopranos, alto, tenor and bass), and a Baroque orchestra including trumpets and timpani. commercial purposes, e.g. Zelenka Missa Divi Xaverii. Smooth, deliberate and just a little old … PROGRAM NOTES The first movement “Magnificat anima mea Dominum” (My soul proclaims the greatness of the Lord) builds its thematic material directly from the original gregorian chant. 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